Project: Gran Turismo 3/A-Spec
Client: Sony Italia
Date: 2001
Employer: Bleu22/Velodea

Art Director
[sketches, architecture, layout]

Flown to Milan to oversee the design and Flash construction of the Gran Turismo 3 site, I worked with Bleu22's talented design partners, Area 51 Labs. Initial sketches, site architecture and layout, and direction fell under my umbrella of responsibility.

Project: PlayStation Planet
Client: Sony Italia
Employer: Bleu22/Velodea
Date: 2001

Assistant Designer/Programmer

Providing the basis for Sony Italia's PlayStation Planet, designer John Christiano and I worked off approved mockups to build and design functional demo pages for the site, planning for dynamic content with daily updating.

Project: Terminator Special
Edition DVD
Client: MGM Home Video
Employer: Bleu22/Velodea
Date: 2001

Team Lead/Designer/Programmer

The Terminator DVD site, rich in Flash, video, audio, and imagery, offered die-hard fans of the T exclusive interviews, outtakes, and an interactive q&a with the director.

Project: SPYkids
Client: Miramax Studios
Employer: Bleu22/Velodea
Date: 2001

Team Lead/Designer/Programmer

The highlight of my web work, SPYkids (& SPK International) combined a fully-animated flash interface with online gaming, marketing, and community.

Working with other Bleu22 designers, I even had to pull a 50-hour continuous workday to produce a DHTML version for users without Flash.

Project: Original Sin
Client: MGM
Employer: Bleu22/Velodea
Date: 2000-2001

Assistant Programmer
Motion Video Editor

Aside from reprogramming the site's flash intro & load methods, popups and flashcard, my best work for Original Sin arrived on my last day of employment with Bleu22: creating a one-minute video walkthrough of the site, with synchronized audio events and a soundtrack.

Project: Big Daddy
Client: Columbia Pictures
Employer: CTI/Sony
Date: 1999

Designer/Programmer

My first high-profile film site, Columbia Pictures' Big Daddy was a fairly simple cookie-cutter job, fitting right in with the "online brochure" style of many movie sites at the time. It featured a Shockwave game, which, i guess, was kind of cool at the time.

Project: Pretension Records
Client: Pretension Records
Date: 2002

Designer/Programmer/Illustrator

An ongoing, evolving piece for electro record label Pretension Records, the fully Flash website features a cgi interface allowing the label owners to update concent without having to ask me to "just add one more thing". It's the coolest site i've ever done, and will keep getting better.

Project: Andromeda Flash Demo
Client: Alesis Studio Electronics
Date: 2000

Designer/Programmer

Feeding my addiction to analogue synths, Alesis commisioned this interactive Flash demo to celebrate the launch of their flagship synth. Since the unit was still in alpha testing, the site featured sound samples and detailed photos & descriptions of the major areas and functions.

Project: FutureRetro Synthesizers
Client: FutureRetro Synthesizers
Date: 2000-Present

Designer/Programmer
Content Management

One of my favorite projects, the FutureRetro website provides the home for an amazing one-man analogue synthezizer manufacturer. While nothing complex, the site offers information, tips, modifications, artist spotlights, and ordering information.

Project: SDDS
(Sony Dynamic Digital Sound)
Client: CTI
Date: 1999

Assistant Designer/Programmer

Although not the most exciting work i've done, my first year @ CTI was filled with content management and updates for Sony's existing SDDS site. I don't think the site has even changed since I last worked on it, either.

Project: MouS Identity
Client: Ministry of Unknown Science
Date: 2002

Designer/Illustrator

This burning man camp/Los Angeles comedy troupe needed a logo. That about sums it up.

Project: MIDIMini MAX
Client: Studio Electronics
Date: 2002

Designer/Illustrator

In releasing a special edition of the synth that made them famous, Studio Electronics wanted a new logo. Since the electronics inside are modeled after classic units. Combined with the new faceplate (below), this maintained a classic synth feel with modern styling.

Project: Irkin Elite Insignia
Client: Nickelodeon: Invader Zim
Date: 2001

Illustrator/Asst. Designer

A quick job to assist a friend @ Nick, this insignia denotes the battle cruisers of the Tallest, the Irkin Elite. It (or a one-eyed variation) can be found on nearly every spacecraft in the Irkin Armada.

Project: ShowBiz Scoop
Client: CTI/Sony
Date: 1999

Designer/Illustrator

Consider the context: It's for a .com, but it doesn't have any swooshes!

When Sony began assembling their community sites pre-
Screenblast, their entertainment newsletter needed a logo. Someone else added the "beam of light" later on.

Project: Bass Kittens,
Four Things I Hate About You
Client: Pretension Records
Date: 2000

Designer/Illustrator

Bass Kittens' Four Things I Hate About You, the latest release from one of San Francisco's electro elite, needed some artwork. I was more than happy to oblige.

Although this was my first record label design work, much more is in progress.

Project: MIDIMini MAX
Client: Studio Electronics
Date: 2002

Interface Design

In releasing a special edition of the synth that made them famous, Studio Electronics wanted a new interface. Since the electronics inside are modeled after classic units. Combined with the new logo (above), this maintained a classic synth feel with modern styling.

Project: DFX Buffer Override
Client: Destroy FX
Date: 2002

Interface Design

One of the most
innovative audio
plug-ins on today's
market, Destroy FX's
Buffer Override
required a new inter-
face to match its
intelligently-designed
feature set. Behold!